So the bewildering nexus of events surrounding Orlando’s titular madness and the battle of Paris mostly makes sense. I have a monster chart on the chalkboard in my office to prove it! But there are two timing problems that I have not resolved yet: Mandricardo and Rogero. Continue reading Timing in Orlando Furioso (II)
When does anything happen in Orlando Furioso?
In terms of setting, there’s really no answer to that question. Charlemagne is the emperor of Europe…so after 800 AD? But it’s before Roland dies at Roncevaux, so it’s before 778 AD…except of course for the amazing anachronisms with technology and the trans-historical alliance of Moors, Turks, Saracens, and Arabs.
Ok, so it’s all times and never. But what about the internal chronology of the poem? Continue reading Timing in Orlando Furioso
A few months back I went down a rabbit hole studying all the different ways to talk about swords and spears in the Old Testament (in Hebrew, in Latin, and in Greek). It was a fun research project but it touched upon a much more fundamental problem when talking about the Old Testament. Rather than write a long introduction to an already long survey, I let the draft languish.
This is that long introduction.
(Warning: much of what follows is a gross simplification of a complicated scholarly field. I know no shame and I’m not consulting sources from my old training.) Continue reading Septuagint
Cantos II (Atlantes Tower), IV (Rescued), XII (Magical Villa), XXII (Released), XXVII (Tournament of Grievances), XXX (Durindana), XXXI (Rinaldo), XXXIII (Duel), XL (Lampedusa Plan), XLI (Trial on Lampedusa), LXII (Slain)
King of Sericane
Magical horse Alfana
Classical Type: ?
Coat of Arms: ?
TL;DR: Chief Villain of Previous Poem Held in Stasis Until the Final Battle
Cantos VIII (Paris), IX (Olympia), XI (Orc), XII (Villa), XIII (Isabel), XXIII (Zerbino) XXIV (Furioso), XXIX (Rodomonte’s Bridge), XXX (Spain and Africa), XXXIX (Restored), XL (Biserta), XLI (Lampedusa), XLII (Victory), XLIII (Brandimart’s Funeral), XLIV (Return to France), XLV (Wedding Dispute), XLVI (Wedding Feast)
Son of Milo, Cousin of Rinaldo, Count of Anglantes, Slayer of Almontes
Coat of Arms: Red and White Quarters
Durindana, Brigliador, Arms of Almontes. Invincible by the will of God.
Classical Type: Achilles
TL;DR Title Hero Drives Actions of Poem Directly and Indirectly, Saves Day at the End
Cantos XIV (Paris Walls), XVI (Within the City), XVII (Palace), XVIII (Escape), XXIII (Frontino), XXIV (Mandricardo), XXVI (Merlin’s Fountain), XXVII (Tournament of Grievances), XXVIII (Innkeeper’s Tale), XXIX (Isabel’s Monument), XXXI (Brandimart), XXXV (Bradamante), XLVI (Finale)
Saracen King of Argiers, Betrothed of Doralice
Coat of Arms: Maid Bridling Lion on Red Field
Nimrod’s dragon-scale arms!
Classical Type: Turnus, Achilles
TL;DR: Distillate of Every Villain’s Worst Attribute Becomes Proverb For Arrogance
Cantos XVIII (Night Rescue), XIX (Angelica), XXIX (Orlando), XLII (Post-script)
Servant of King Dardinello, Comrade of Cloridano
Classical Type: Paris
TL;DR Absolute Nobody Gets the Girl and Happily Ever After
This won’t take long! Continue reading Orlando Furioso Cast of Characters: Medoro
Cantos XIV (Mandricardo), XXIII (Orlando), XXIV (Zerbino and Rodomonte), XXVI (Merlin’s Fountain), XXVII (Chooses Mandricardo), XXX (Death of Mandricardo)
Daughter of King Stordilane of Granada, Betrothed of Rodomonte, Lover of Mandricardo
Classical Type ?
Two-bit Helen Gives Heart Away Repeatedly, Disappears Unceremoniously